The Alternator Centre for Contemporary Art is pleased to welcome Troy Nickle’s Process, Place and Perception, a site-specific installation using natural materials. Physical elements from Kelowna’s landscape become part of the gallery architecture, playing with expectations of environment and place.
As though it was a bird’s eye view of the natural world, a selection of dried plants horizontally emerges from the wall. Another installation component is a mural, made with mud and soil, illustrating Kelowna’s Landscape. Driftwood, both suspended from the ceiling and dynamically gathering on the walls, creates a sense of movement reflective of floating down a river. Central to the exhibition is a sculptural homage to Constantin Brancusi’s Endless Column- with woodstacked columns and columns high. Each work aims to address relationships between culture and nature.
Troy Nickle : Process, Place, and Perception artemisa | |
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| Entertainment | Upload TimePublished on 14 Aug 2014 |
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